![“Tanning exposes your skin to [ultraviolet (UV)] light, and UV light is a known carcinogen, which means it can alter your DNA,” Biotechnology and biology teacher Gillian Boyd said. “It can change the sequences of DNA bases. The more exposure you have, the more risk you have to develop [skin] cancer.”](https://smhsponyexpress.org/wp-content/uploads/2026/06/IMG_0071-1200x798.jpeg)
![Remakes [and film adaptations of books] are often criticized for being too repetitive and unnecessary.](https://smhsponyexpress.org/wp-content/uploads/2026/06/IMG_0193-1200x558.jpeg)
Harry Styles’ latest project, “Kiss All The Time. Disco, Occasionally” is the ultimate soundtrack for late spring drives with friends. However, the songs from this album do not connect the same way some of his old songs have; the lyrics left me underwhelmed and unsatisfied. This album feels as if it were made for casual, atmospheric listening.
“Kiss All The Time. Disco, Occasionally” was released on Mar. 6, 2026. Executive produced by Kid Harpoon, the 12-track project marks Styles’ long-awaited return after 2022’s “Harry’s House,” which won him a Grammy. The anticipation that had been building up since he announced the album in January has translated into massive numbers. “Aperture” has already hit 125 million streams and remains #1 on Spotify’s UCS chart with 1.75 million daily plays, while “American Girls” follows with 8.3 million streams.
After nearly four years of musical quiet following the massive success of “Harry’s House,” expectations for Styles’ return were sky high. Aside from touring and a few acting roles, he mostly stayed out of the spotlight, which made fans even more curious about what version of Harry would show up next. “Kiss All The Time. Disco, Occasionally” answers those questions with sounds that lean hard into 70s disco and electronic rock. It feels less like reading Style’s diary and more like being invited to an all-night dance party he is hosting. That shift sets the tone for the entire album; it’s polished, fun, and easy to play on repeat, but it doesn’t always reach the emotional depth that made “Fine Line” and “Harry’s House” so special for many fans.
The shift in depth is most apparent in the lyrics. While “Fine Line,” Styles’ second major album, felt like a confession, “Kiss All The Time Disco Occasionally” feels like a celebration of the surface level. On “Aperture,” he leans into a trance-like hook and distorted bass that feels tailor-made for a midnight drive.
Kid Harpoon’s production is the real star here, elevating the 70s influence from a mere aesthetic to a full-blown sonic identity. While the music sounds impressive, it lacks the personal transparency that normally makes his songs easy to connect with. It is an incredible technical achievement, but it likely won’t stick in the same way his past music has.
